Facts
Duration: 1 semester
Period: Fall Semester
Credits: 2 ECTS
Contact Hours: 36
Self-study: 36
Hours: 72
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Main Objectives
- To gain understanding of the history and development of English-language literature from its early beginnings to the end of the 19th century;
- To understand the contemporaneous and lasting influences of writers on society and, conversely, the influence of history and society on key English-language writers as authors.
Learning Outcomes
At the end of the course, the students shall be able to engage in academic discourse on the history and development of English-language literature.
Gained knowledge and skills:
1. General cultural competencies:
- Understanding the history of “English” identity
- Understanding the development of “English/British” identity
- Understanding the history of “American” identity
- Understanding the development of “American” identity
- Acquiring skills of sociocultural and intercultural communication
2. Professional competencies:
- Understanding the reasons behind the development of English-language literature in the British isles and United States of America.
Professor
Peter J. Mitchell, senior lecturer, Department of English Philology
Course annotation
Course unit code |
45.03.02 Linguistics |
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Course unit title |
The History of English-Language Literature |
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Name(s), surname(s) and title of lecturer(s) |
Peter J. Mitchell, senior lecturer, Department of English Philology |
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Level of course |
Bachelor’s degree |
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Semester |
5 |
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ECTS credits |
2 |
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Working hours |
Contact hours |
36 |
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Lectures |
12 |
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Seminars |
22 |
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Practical classes |
0 |
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Consultations |
2 |
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Self-study |
36 |
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Total |
72 |
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Work placement |
Variational part of the general academic cycle |
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Prerequisites |
English language skills at upper-intermediate level |
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Language of instruction |
English |
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Objectives of the course |
Learning outcomes |
A student’s assessments methods |
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To gain understanding of the history and development of English-language literature from its early beginnings to the end of the 19th century; To understand the contemporaneous and lasting influences of writers on society and, conversely, the influence of history and society on key English-language writers as authors. |
At the end of the course, the students shall be able to engage in academic discourse on the history and development of English-language literature. |
Formative assessment: oral presentations, discussions. Summative attestation: project (50%) and exam (50%). |
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Teaching methods |
Lectures, discussions, presentations, project work |
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Course unit content Old English and Middle English: The beginnings of literature in England – the first written pieces of work, their importance in creating an “English” identity and setting a trend for future writing 16th and 17th Centuries: Early Modern English, the coming together of a truly “English” literature, combining poetry, plays, religious texts, histories and philosophy, the Age of Enlightenment 18th and 19th Centuries: Modern English, Sentimentalism, Romanticism, Realism, Aestheticism The beginnings of American literature in colonial times – how it began, how it set the foundation for future writing The emergence of an American national literature – how and why it developed, how Americans saw themselves and wrote about themselves The American Renaissance – the dichotomy between the Frontier (Wild West) and New England (East Coast), the Transcendentalists, the Boston Brahmins The Civil War, the “Gilded Age” – reflections on American society and identity |
Course objective – To gain understanding of the history and development of English-language literature from its early beginnings to the end of the 19th century; To understand the contemporaneous and lasting influences of writers on society and, conversely, the influence of history and society on key English-language writers as authors.
Gained knowledge and skills: 1. General cultural competencies:
2. Professional competencies:
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List of Topics |
Topic title |
Contact hours |
Assignments and independent study hours |
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Old English and Middle English 1: The beginnings of literature in England – the first written pieces of work, their importance in creating an “English” identity and setting a trend for future writing Caedmon – Hymn (late 7th century) Unknown – Beowulf (circa 700-1000) John Wyclif – The Bible (1395) |
2 |
4 |
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Old English and Middle English 2: The beginnings of literature in England – the first written pieces of work, their importance in creating an “English” identity and setting a trend for future writing William Langland – Piers Plowman (c. 1360-1380) Geoffrey Chaucer – The Canterbury Tales (c. 1380) John Gower – Confessio Amantis (c. 1390) |
2 |
4 |
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16th and 17th Centuries 1: Early Modern English, the coming together of a truly “English” literature (poetry and plays) Thomas Wyatt – various sonnets Christopher Marlowe – Edward II (1593) William Shakespeare – Romeo and Juliet (1594-95) |
2 |
4 |
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16th and 17th Centuries 2: Early Modern English, the coming together of a truly “English” literature (identity and religious texts) Francis Bacon – Essays (1597) James I – The King James Bible (1611) |
2 |
4 |
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16th and 17th Centuries 3: Early Modern English, the coming together of a truly “English” literature (histories, philosophy, and the Age of Enlightenment) Samuel Pepys – Diary (1660-69) John Milton – Paradise Lost (1667) John Locke – Two Treatises of Government (1689) |
2 |
4 |
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18th and 19th Centuries 1: Modern English Samuel Johnson – A Dictionary of the English Language (1755) |
2 |
4 |
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18th and 19th Centuries 2: Sentimentalism Jane Austen – Sense and Sensibility (1811) Charlotte Bronte – Jane Eyre (1847) |
2 |
4 |
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18th and 19th Centuries 3: Romanticism Robert Burns – various poems William Wordsworth – The Prelude (1799-1805) |
2 |
4 |
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18th and 19th Centuries 4: Romanticism John Keats – Ode on a Grecian Urn (1818) Lord Byron – Don Juan (1818-24) Sir Walter Scott – Ivanhoe (1819) |
2 |
4 |
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18th and 19th Centuries 5: Realism Charles Dickens – Oliver Twist (1837-38) George Eliot – Middlemarch (1871-72) |
2 |
4 |
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18th and 19th Centuries 6: Aestheticism Oscar Wilde – The Importance of Being Earnest (1895) |
2 |
4 |
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The beginnings of American literature in colonial times – how it began, how it set the foundation for future writing Thomas Hariot – Briefe and True Report of the New-Found Land of Virginia (1588) Captain John Smith – Description of New England (1616) John Winthrop – The History of New England (1630) Cotton Mather – Magnalia Christi Americana (1702) |
2 |
4 |
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The emergence of an American national literature 1: How and why it developed, how Americans saw themselves and wrote about themselves Benjamin Franklin – Autobiography (1771) Thomas Jefferson – Declaration of Independence (1776) |
2 |
4 |
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The emergence of an American national literature 2: How and why it developed, how Americans saw themselves and wrote about themselves J. Hector St. John de Crèvecoeur – Letters from an American Farmer (1782) Washington Irving – A History of New York, by Diedrich Knickerbocker (1809) James Fenimore Cooper – The Last of the Mohicans (1826) |
2 |
4 |
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The American Renaissance – the dichotomy between the Frontier (Wild West) and New England (East Coast), the Transcendentalists, the Boston Brahmins Ralph Waldo Emerson – Nature (1836), The American Scholar (1837), Self-Reliance (1841) Henry David Thoreau – Civil Disobedience (1849), Walden (1854) Nathaniel Hawthorne – Celestial Railroad (1843) Herman Melville – Moby-Dick (1851) Edgar Allan Poe – The Raven (1845) Henry Wadsworth Longfellow – A Psalm of Life (1838), Excelsior (1842) |
2 |
4 |
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The Civil War, the “Gilded Age” – reflections on American society and identity 1 Walt Whitman – Leaves of Grass (1892) Harriet Beecher Stowe – Uncle Tom’s Cabin (1852) Mark Twain – The Innocents Abroad (1869), The Gilded Age (1873), The Adventures of Huckleberry Finn (1884) |
2 |
4 |
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The Civil War, the “Gilded Age” – reflections on American society and identity 2 Henry James – The Portrait of a Lady (1881), The Ambassadors (1903) Henry Adams – Democracy (1880), The Education of Henry Adams (1907) Jack London – The Call of the Wild (1903), The Sea-Wolf (1904) Lincoln Steffens – Shame of the Cities (1904) Robert Herrick – The Common Lot (1904) |
2 |
4 |
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Assessment requirements |
1. Attendance of not less than 80% of classes; 2. Presentation on an approved topic. |
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Assessment criteria |
Demonstration of knowledge of the subject area, ability to discuss the subject at an appropriate level, quality of presentation. |
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The composition of final accumulative mark |
Project (written) – 50%, Examination (oral) – 50%. |
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Author of the course |
Peter J. Mitchell, senior lecturer |